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Podcasts, music & video
The idea is the easy part. What kills most shows and channels is everything around it — a room with the wrong acoustics, an editing backlog by episode four, and no repeatable process, so episode ten sounds nothing like episode one. We set up the workflow, not just the recording: somewhere to record that works every time, an edit that comes back on schedule, and a publishing routine you can actually keep up with.
Which of these is you?
These sit together because the craft behind them is the same. What they need from us on the day is not — so say which one you're planning and we'll answer for that, not in general.
What this usually includes
Every discipline below comes from the same team, on the same quote. Nothing here needs a second supplier introduced to the others on the morning.
How we'd get you launched
Length, cadence, who hosts, and whether it's video — decided before anyone buys a microphone.
Record in our studio, or we make yours work. Either way it's the same sound every week.
Multitrack capture and proper mic technique, so the edit has something to work with.
Editing, mixing, and mastering to a consistent standard, on a schedule you can plan around.
Platform setup, plus the short vertical cuts doing most of the discovery work now.
To quote this properly
Rough answers are fine — “we don't know yet” is a real answer and we'll work with it.
Commonly added
None of this is required. It's just what tends to come up once the main job is on the table.
What you build
One episode is content. Forty episodes is a body of work, and an audience that expects you. We build the process for the fortieth, not the first — and we'd rather teach your team to run the recording themselves than have you dependent on our diary forever.
Production and support that leaves a legacy
Not quite it?
Next step
We'll come back with an honest scope and a costed option — and we'll tell you if part of it isn't worth paying for.